Guides / Metals and finishes / Choosing a finish: silver tone or gold
Choosing a finish: silver tone or gold
Two decisions shape how a piece of jewellery looks: its colour and its surface. Here is what lies behind silver and gold tones, how polished, brushed and matte finishes differ, how each one ages, and how to mix them.
- RhodiumThe bright white plating on most white gold
- 925Gold plated silver is still hallmarked as silver
- "Tone"In the UK, describes colour, not metal
Illustration created for this guide
Where the colour comes from
Gold is yellow for a reason that goes right down to the atom. GIA explains that its hue comes from its atomic structure and the way electrons move within it, which makes the metal reflect light selectively from part of the spectrum. Silver, platinum and rhodium don't do this, and look white.
That is the one part of the choice that physics makes for you. Everything else, the alloy, the plating, the polish or the texture, is decided by a jeweller, and it is those decisions that make the difference between a piece that looks the same in ten years and one that changes as you wear it.
Silver tone and gold tone
"Silver tone" and "gold tone" describe how a piece looks, not what it is made of. In the UK this matters: the Assay Offices' guidance says that words like "gold" and "silver" used only to describe colour must make that clear, and gives "gold tone" and "gold coloured" as examples. So a silver tone piece might be solid silver, or it might contain no precious metal at all.
Here are the usual ways each colour is made.
| Finish | What it is | Worth knowing |
|---|---|---|
| Sterling silver | Silver alloy all the way through | A soft white that tarnishes in air and moisture |
| Rhodium-plated silver | Silver with a thin coat of rhodium | Brighter and cooler, and protected from tarnish while the plating lasts |
| White gold | Gold alloyed with white metals, usually rhodium plated | Faintly yellow under the plating |
| Yellow gold | Gold alloy all the way through | The more gold in it, the richer the colour |
| Rose gold | Gold alloyed with copper and silver | The copper gives the warmth |
| Vermeil | Silver with a layer of gold | Hallmarked as silver; the gold can wear through to silver |
| Gold plated | A layer of gold over another metal | On base metal, can't be hallmarked; the gold can wear through |
For more on each of these, see What rhodium plating is, What is gold vermeil? and Vermeil vs gold plated vs solid gold.
Polished, brushed or matte
The second choice is texture. GIA lists the main options simply: a bright polish, a flatter matte look, or a textured surface. In practice you will meet three names most often.
- High polish. The metal is smoothed in stages with finer and finer polishing compounds until it shines like a mirror. It is the brightest finish, and the one that shows the most.
- Brushed, or satin. An abrasive is drawn across the surface to leave fine lines and a soft sheen rather than a reflection.
- Matte. A flat, non-reflective surface, often made by blasting fine particles at the metal, and sometimes by etching it with chemicals.
Texture changes colour, too, or at least how you see it. A mirror polish throws back the light around it, while a matte surface shows more of the metal's own colour, a little softer and quieter.
How each finish shows wear
Every finish changes as you wear it. The question is how, and whether you will mind.
| Finish | What happens with wear |
|---|---|
| High polish | More prone to showing scratches, and needs more upkeep to keep its shine |
| Brushed or matte | Hides small marks better, so it is more forgiving of everyday wear |
| Sterling silver | Tarnishes over time; polishing or a silver cloth brings it back |
| Rhodium plating | Wears away gradually; on white gold, a yellowish tint starts to show |
| Gold plating and vermeil | Wears first where it rubs most, showing the metal underneath |
| Solid gold | Scratches and dents, softer at higher carats, but the colour runs all the way through |
There is a nice trade here. A plated finish is the one where you most want to avoid polishing, because polishing removes metal, and GIA warns that abrasives can erode it. A brushed or matte surface asks for less polishing in the first place. So a textured finish on a plated piece is a sensible pairing.
Mixing metals
The old idea that gold and silver shouldn't be worn together has largely gone. GIA's own stacking guide suggests combining yellow, white and rose gold, and pairing a polished band with a hammered or matte one for contrast. Mixing textures works the same way: a brushed piece beside a polished one makes both look more deliberate.
A few things help a mixed look hang together:
- Repeat each colour. Two or three touches of each metal look chosen; a single odd one out can look like an accident.
- Use a bridge. A piece that already combines both colours ties the rest together.
- Mind the wear. GIA notes that stacking rings can increase scratches and wear, and that a softer metal, such as 14 carat gold, can wear down faster next to a harder one, such as platinum. A plated ring stacked against a solid one will feel that most.
Warm skin, cool skin?
You will often read that people with "warm" skin tones should wear gold and those with "cool" skin tones should wear silver, usually with a test involving the colour of the veins on your wrist. It is a styling convention, and a widely repeated one, but it is not a finding. We could not find any study that tests it, and the sources that teach it are style guides rather than research.
That doesn't make it useless. It is one way of thinking about contrast and harmony, and some people find it helpful. But it is not a rule, and nobody is barred from a metal by the colour of their veins.
A more reliable test is simple. Hold a silver piece and a gold piece against your skin in daylight, in a mirror, and see which you keep looking at. Then look at what you already wear every day. If most of it is one colour, that is the one that will be easiest to mix with. If it is both, you have your answer already.
A choice that is yours
Gold's colour is settled by its electrons. Almost nothing else about a finish is. Polished or matte, white or yellow, one metal or several: the choice is about how you want a piece to look on the day you buy it, and how you would like it to look after a year of wearing it. Choose for both, and you will rarely go wrong.
Good to know
Can I wear gold and silver together?
Yes. Mixing metals is now a mainstream look, and even GIA's stacking guide suggests combining yellow, white and rose gold. Repeating each colour a few times makes a mix look deliberate.
Which finish hides scratches best?
A brushed or matte finish. High polish is the most likely to show fine scratches from everyday wear.
Is "silver tone" the same as silver?
No. It describes colour only. In the UK, a description that uses a metal's name for its colour must make that clear, which is why you see "silver tone" or "gold tone".
Is white gold the same colour as silver?
Close, but not quite. White gold is usually rhodium plated, which is a brighter, cooler white than silver. Without the plating, white gold has a faint yellow tint.
Does gold suit warm skin and silver cool skin?
That is a styling convention, not a fact. Try both in daylight and go with the one you like.